Philippines, Sports, television

Philippines-Australia FIBA Basketball Game Earns an SPG Rating

Call it the ‘BasketBrawl in Bocaue’.

The FIBA Asia qualifying game between the Philippines and Australia at the Philippine Arena Monday night was marred by a bench-clearing brawl. The following posts should summarize the series of events that took place.

At the moment, FIBA is still taking a closer look at the incident, with the possibility of sanctions and suspensions to be announced in the coming days. Meanwhile, Basketball Australia and the Samahang Basketbol ng Pilipinas issued an official statement with regards to the brawl, while players expressed remorse on social media over their involvement.

This incident became the talk of the sporting world for all the wrong reasons. And as expected many netizens on social media were not happy about a competitive basketball game turning into a wrestling match.

The Philippines-Australia match was aired live on T5N last night and like all live sporting events on Philippine free TV it earned a Parental Guidance (PG) rating from the MTRCB. However, in subsequent rebroadcasts of the match on T5N and AksyonTV, MTRCB gave it a Strong Parental Guidance (SPG) rating for language and violence in light of the incident.

Never before in Philippine television history has a non-combat sporting event earn an SPG rating due to circumstances beyond its control. While live sports is usually attended and watched to by people of all ages, such incidents are sometimes unavoidable and can also be traumatizing.

Still, such untoward incidents would have been prevented had the referees lay down the law and play the peacemaker role between two sides. Unfortunately for the referees in Bocaue, it’s either they are not competent or strict enough to do their job.

That said, this incident between the Philippines and Australia will forever live on in Philippine television infamy, both for its impact and its consequences in the game of basketball. It will be interesting to see what new narratives will come out of this, so stay tuned for further details.

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comedy, entertainment, game show, humor, Philippines, television

Endangered Specie: Celebrity Bluff’s Status in Doubt

Is this the end for ‘Celebrity Bluff’?

Last Saturday marked the season finale of this celebrated GMA game show. But ‘Celebrity Bluff’ as it truly was effectively ended two years ago following its first four years on the air.

The first run of ‘Celebrity Bluff’ began on November 17, 2012 and ended on February 20, 2016. The original trio of Eugene Domingo, Wally Bayola and Jose Manalo immediately clicked with viewers, and ‘Celebrity Bluff’ became a worthy and oftentimes popular adversary amid the dominance of franchised reality and talent shows from ABS-CBN.

Even as Wally was replaced by Boobay and Isko ‘Brod Pete’ Salvador and Jose left for other commitments, ‘Celebrity Bluff’ remained a force to be reckoned with on Saturday nights. The show also received some accolades along the way, including two PMPC Star Awards for Best Game Show.

The death of director Uro dela Cruz in February 2016 forced ‘Celebrity Bluff’ to take a long break after 12 consecutive seasons on the air. Then on June 3, 2017, the 13th season of ‘Celebrity Bluff’ got underway, this time with Edu Manzano as one of the ‘bluffers’ and Rico Gutierrez as the director.

Unfortunately, this latest season of ‘Celebrity Bluff’ failed to capture the magic of the previous 12 seasons. Once averaging around 12-13% in the ratings during its first four years, the most recent incarnation of ‘Celebrity Bluff’ only managed ratings of around 6-7% per episode.

It also did not help that Edu Manzano was a bad fit to the ensemble. In March, Manzano left ‘Celebrity Bluff’ in order to join ABS-CBN’s ‘Ang Probinsyano’, leaving Eugene, Boobay, Brod Pete and some guest ‘bluffers’ to hold the fort.

Suffice to say, the 13th season of ‘Celebrity Bluff’ was doomed to fail this time around. The once-colorful game show had lost its luster.

So what does the future hold for ‘Celebrity Bluff’? Considering the poor performance of its most recent season, perhaps GMA should just retire the show for good and concentrate on a new concept.

If they intend to resuscitate ‘Celebrity Bluff’ in the near future, the only recourse is to convince Wally Bayola and Jose Manalo to return to the show. After all, ‘Celebrity Bluff’ reached its peak with Eugene, Wally and Jose at the forefront.

But for all intents and purposes, consider ‘Celebrity Bluff’ an endangered specie that borders between cancellation and renewal. For now, the show is on hiatus, and unless GMA decides to give it another shot, this hiatus may become permanent after all.

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cable TV, entertainment, movies, news, Philippines, politics, public affairs, Sports, television

Philippine Cable and Digital Channels Face Issue of Redundancy

Hero is one of several cable channels in the Philippines that was shut down this year due to redundancy in content. (Logo courtesy of Creative Programs Inc.)

Redundancy has become a common theme for cable and digital channels in the Philippines.

In the first half of 2018 alone, viewers witnessed a closure of numerous cable channels in the country. On the local side of the spectrum, there was Hero, TAG, ABS-CBN Regional Channel, CT and 2nd Avenue, and on the international front there was Toonami.

There were also some rebrandings and resurrections of several channels as well. CPI made LIGA the second coming of Balls in time for the FIFA World Cup (replacing ARC, TAG and Hero in the process) while rebranding Lifestyle into Metro Channel, and then the MVP Group converted Bloomberg Philippines into One News.

So why do these things happen to our beloved cable and digital channels? The most cited reason is financial constraints, but it goes deeper than that.

When two channels air similar content with one another, redundancy happens. This is exactly the case that befell the likes of Hero, TAG, CT, 2nd Avenue and Toonami because they feature similar themes and genres with one or several channels.

Hero and Toonami, for example, became victims of cord-cutters and other channels such as Cartoon Network, Boomerang, AniPlus, Animax and even Yey!, which show some anime and action series as well. Same with CT and 2nd Avenue who share some of the programming with sister channels Jack TV and ETC.

Going further back, CPI shut down Velvet in 2014 and moved some of its content over to Lifestyle. Four years later, Lifestyle was rebranded into Metro Channel and is now essentially a second coming of Velvet.

There is also LIGA, which was launched for the FIFA World Cup but is expected to face similar redundancy issues as Balls since its only other source of content are events that air on ABS-CBN S+A. Finally, the rebrand from Bloomberg Philippines to One News has made AksyonTV (a former news channel-turned-T5N clone) redundant, something the MVP Group must address moving forward.

However, redundancy is not limited to cable channels alone. Yey!, for example, has a movie block called ‘Kid Sine’, but some of the films shown here are also aired on sister channel CineMo (under the CineFantasya and CineKomedya blocks).

Yey! also airs reruns of ‘Your Face Sounds Familiar Kids’ while CineMo rebroadcasts ‘Ang Probinsyano’ and ‘Bagani’ on weekends. Such reruns should have been exclusive to Jeepney TV.

These are just some of the examples that face cable and digital channels today. Considering the competitive nature of this business, trying to stay unique and distinct in terms of content is not as easy as it looks.

So the best that these channels can do right now is to remain innovative and wide-eyed to the audience while keeping themselves afloat. This juggling act may be difficult, but when done properly, they can stay on the air for a long period of time.

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