Philippines, Sports, television

When UAAP Courtside Reporting Is Not a Safe Bet

It is not easy to be a courtside reporter.

After all, it is considered one of the most highly scrutinized positions in the world of sports broadcasting. The best people on the job are those who can relate well to the audience, speak clearly and articulately, and exude confidence whenever possible.

In ABS-CBN Sports’ coverage of the UAAP men’s basketball and women’s volleyball, a courtside reporter is hired not because he/she is pretty or handsome, but because the network wants them to represent the school with both enthusiasm and pride. Unfortunately, there are those who were simply not up to the task.

Last Saturday, ABS-CBN quietly replaced Nicole Sumagui with Stef Monce as Adamson University’s courtside reporter. No explanation was made regarding the change, but observant viewers saw that Sumagui stuttered at times, was tentative and lacked confidence in her abilities.

Sumagui was not the first courtside reporter to get the pink slip early in the season. There have been two such cases in which a UAAP courtside reporter was replaced before the season concluded.

Prior to UAAP Season 73 (2010-11), ABS-CBN assigned Karen Rozul to be the courtside reporter of National University. But the network replaced her with the late Maan Panganiban when they realized that Rozul was not confident enough for the job.

Two seasons later, NU endured some deja vu when the ineffective Muriel Orais was dismissed in favor of Steph Sy. Sy, like Stef Monce later on, had already exhausted her two-year eligibility, but ABS-CBN reinstated her for a third year due to this untimely circumstance.

For all the talk about the next Pia Arcangel, Lia Cruz, Riki Flores, Aaron Atayde, Nikko Ramos and Laura Lehmann, there are those like Karen Rozul, Muriel Orais and Nicole Sumagui who do not deserve to be in the same room. They may have survived the auditions, yet they failed to translate that into at least one year’s worth of on-the-job training for a future broadcasting career.

UAAP courtside reporting is not an easy task, but if one can survive and fulfill a dream, then it should bode well for their future career paths.¬† With the second round of men’s basketball plus a full slate of women’s volleyball still to come, all eyes are on the seven rookies and one returnee to see if they have what it takes to be a great UAAP courtside reporter.

Note: Aside from Stef Monce, this season’s roster of UAAP courtside reporters consist of Martie Bautista (Ateneo de Manila University), Eileen Shi (De La Salle University), Sydney Crespo (Far Eastern University), Miguel Dypiangco (National University), Migs Gomez (University of the East), Agatha Uvero (University of the Philippines) and Tonie Moreno (University of Sto. Tomas).

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drama, entertainment, news, Philippines, politics, public affairs, television

Epic Fail: GMA Airs Teleseryes on SONA Day

It was mostly memorable State of the Nation Address for President Rodrigo Duterte.

The speech lasted a better part of two hours, nearly half of which deviated from the original script and contained some profanity. Most major and minor Philippine television and radio networks went all out to deliver the most comprehensive wall-to-wall coverage of the SONA.

Unfortunately, there is one network that failed to take the SONA seriously. Enter GMA Channel 7.

While most networks were busy dealing with Duterte’s State of the Nation Address, GMA simply stood pat and did virtually nothing. From 2:30 to 4:15 p.m., they aired afternoon teleseryes ‘Ika-6 na Utos’, ‘Impostora’ and ‘Haplos’ on the day of the SONA, an uncharacteristic deviation from more recent years.

Consequentially, when the time to air the actual SONA arrived, ‘Haplos’ was cut short 15 minutes in. After that, Pia Arcangel, not Mike Enriquez, Mel Tiangco and Vicky Morales, was at the scene to present a somewhat brief pre-speech and post-speech report of the SONA.

If that is not enough for Felipe Gozon and company, it was sister station GMA News TV that actually picked up the slack. Channel 11’s coverage, which was anchored by Jessica Soho and Arnold Clavio, was a redemption of sorts for the network after their inability to air an extensive coverage of the SONA the past two years.

Overall, GMA’s decision to air teleseryes on SONA day came back to haunt them. The network’s programming organizers underestimated the SONA’s unpredictable nature, as evidenced by the fact that the SONA ended well before 6:30 p.m.

As a result of the SONA’s lengthy duration, Monday’s episode of ‘Haplos’ was left unfinished, and it remains to be seen if GMA will reair that very episode in full later today. Had they become aware of its unpredictability, they could have preempted all of their afternoon teleseryes and devote themselves to the SONA instead of leaving one of them incomplete.

In the end, GMA’s latest gaffe should be a harsh lesson for everyone involved. One can only hope that they will learn from this mistake and do the right thing come the 2018 State of the Nation Address.

Otherwise, expect more of the same jokes from critics and haters alike. That said, good luck GMA in correcting this failure.

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news, Philippines, politics, public affairs, television

Three’s a Crowd: Aksyon Tonite Becomes a Three-Anchor Team

Looks like the solo anchor setup on ‘Aksyon’ newscasts is not working for News5.

Last Monday, News5 decided to once again revamp ‘Aksyon Tonite’, adding erstwhile weather reporters Lia Cruz and Marga Vargas to the newscast alongside Ed Lingao. Both Lia and Marga were intended to be ‘anchors in training’ as far as News5 is concerned.

This marked the first time that ‘Aksyon Tonite’ went with a three-anchor setup. Past lineups of the newscast featured either a two-anchor setup (Paolo Bediones/Ed Lingao and Cheryl Cosim) or a solo anchor setup (Ed Lingao).

The reaction to the move was mostly negative. They argued¬†that Lia and Marga were the latest in a line of ‘entertainers masquerading as journalists’ (EMAJ), as the two lacked any journalistic background owing to their past experience as sports reporters (Lia for Solar Sports, Marga for ABC-5).

While Lia and Marga’s addition to ‘Aksyon Tonite’ serves to develop the two into well-rounded journalists, it is clear that News5 is once again dooming themselves with these questionable moves. A rundown¬†of other¬†late primetime newscasts on major privately-owned networks should show the foolishness of News5’s decision.

  • Bandila (ABS-CBN) – Julius Babao, Karen Davila, Ces Drilon
  • Saksi (GMA) – Pia Arcangel, Arnold Clavio
  • Newsroom¬†(CNN Philippines) – Mitzi Borromeo
  • State of the Nation (GMA News TV) – Jessica Soho
  • Eagle News International (Net 25) – Alma Angeles, Sam Cepeda
  • Why News (UNTV News¬†and Rescue) – Gerry Alcantara, Darlene Basingan, Diego Castro III
  • The World Tonight (ANC) – Tina Monzon-Palma

The list above shows that all listed anchors are indeed legitimate journalists. Too bad for News5 and its head Luchi Cruz-Valdes.

Going down the EMAJ route just to revamp ‘Aksyon Tonite’ should serve as a way¬†to destroy¬†its once-credible aura. When the newscast was anchored by Cheryl Cosim and Ed Lingao, many praised it for its emphasis on hard news, which helped restore its credibility that was lost during Paolo Bediones’ time.

Now that they promoted Lia Cruz and Marga Vargas to serve alongside Ed Lingao, expect that praise to turn against ‘Aksyon Tonite’. They may¬†be added just to gain experience, but unless they grow and learn quickly, they might become the next Menchu Macapagal or Hillary Isaac.

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news, Philippines, politics, public affairs, television

1995 Flashback: Saksi at 20

‘Saksi’ is now on its 20th year, which is by far the second longest among active free TV newscasts in the country. (Logo courtesy of GMA Network)

1995 was a memorable year in Philippine television. As part of a year-long special, From the Tube will look back at a year full of historical debuts, unforgettable moments, and celebrated feats in the history of television in the country.

It has been over 20 years since ‘Saksi’ premiered on GMA.

These days, the second longest-running active free TV newscast on Philippine television (behind ‘TV Patrol’) is taking its act on late-nights. But it hasn’t always been that way.

At the time ‘Saksi’ (then known as ‘Saksi: GMA Headline Balita’) premiered on October 2, 1995,¬†it was only a 15-minute early evening newscast, which pales in comparison to rival ‘TV Patrol”s running time of nearly an hour. Soon after, it expanded to 30, then to 45 minutes,¬†and it¬†remained¬†that way until¬†it was¬†moved to late nights in mid-2002.

The early years of¬†‘Saksi’ centered on one man: Mike Enriquez. The former DJ-turned-newscaster became an instrumental figure in the rise of ‘Saksi’, even as he was paired¬†with¬†different co-anchors; namely, Karen Davila, Mel Tiangco and Vicky Morales.

Mike¬†became so attached¬†with ‘Saksi’ that he was given his own radio program: ‘Saksi sa Dobol B’. The now 15-year-old show¬†carried over some of ‘Saksi”s mannerisms, including the iconic catchphrase ‘pasok’ whenever Mr. Saksi himself¬†introduces a reporter on location.

In 2002, ‘Saksi’ moved to its current position as a late-night newscast. Mike Enriquez and then co-anchor Vicky Morales also moved along, but in 2004, Mike¬†rejoined Mel Tiangco¬†(then-anchor of ‘Frontpage’) in the early evening slot, and instead of ‘Saksi’ returning to early evenings as everyone thought, GMA created a new newscast: ’24 Oras’.

As a result, GMA decided to pick a new male anchor, and in came ‘Unang Hirit’ co-host Arnold Clavio (popularly known as ‘Igan’). ‘Saksi”s new moniker became ‘Liga ng Katotohanan’, and for¬†over¬†a decade, the newscast centered around Igan and Vicky, along with GMA’s lineup of veteran journalists.

In late 2014, Vicky Morales joined ’24 Oras’ as its third co-anchor (reuniting with Mike Enriquez and Mel Tiangco), and she was replaced by ’24 Oras Weekend’ anchor Pia Arcangel. Currently, ‘Saksi’ is in its 13th year as a late-night newscast, which is longer than any other late-night newscasts today.

After 20 years, ‘Saksi’ continues to deliver¬†hard-hitting and fast-paced¬†news every night.¬†The newscast may be airing on late nights now, but they are still as good as it gets.

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